After dinner I wandered around the tropical conservatory
before finding a seat near the door to the auditorium where we’d meet the
artist and see a film about his indoor exhibit pieces and his outdoor instillation of saplings that will be manipulated as they grow. That’s where
another woman found and latched on to me. She was a talkative woman, about my
age whose husband didn’t like going to events like this. She sat next to me during the film, went through the dessert line with me and struck by my side while
I wandered around the exhibition rooms. She even tagged along when I went to
the bathroom and that’s where I decided that I’m a big, fat phony and that’s
why I have so much trouble making friends.
The woman was sweet and I know it would have been easy to
arrange a lunch or artsy-fartsy outing with her. She asked how to spell my name and
she wrote it down and if I had done the same, we would have reached level one
in the game of Ferreting Out New Friends. But she had just finished a fifteen
minute monologue on how much I would love volunteering at the local cancer support unit where I’d be able to take art classes right along with the patients and that’s
when I went to my fake person place. I listened, nodded my head a few times and
made some small-talk remarks when what I really wanted to do was screw up my
face the way babies do just before they’re about to spit mashed peas all over
the place. The whole idea of volunteering at a cancer support unit freaks me out. Why
can’t I say what I feel when I’m face to face with people? Why couldn’t I say, “Making
plaster hand prints and watercolor drawings with bald headed people who carry
barf bags is---well---selfless and probably very rewarding, but I did seventeen
years in caregiver circles and I wore out my Mary Poppins persona." Thanks, but
no thanks. Don’t sign me up. This girl just wants to have fun! Instead, I
backed off from her friendship overtures because being a big, fat phony wears me
out and makes my tongue bloody from all that biting.
The next morning I had my second art class with the
professor who played two hours of Christian music during my first class. Thankfully,
he had a different station on the radio this time but he showed me a large painting
he’s working on of Jesus holding two tiny babies in the palms of his hands which
led to an interesting but walk-softly discussion about heaven and the book, The Brief History of The Dead. The professor and his wife have gone through two miscarriages---the last one
a year ago---and they’ve been searching the scriptures, looking for an answer on
whether or not miscarried babies end up in heaven. Thus he was working through
his feelings with the painting. How much easier it is to be a Humanist or Agnostic and be free to believe---much
like the premise of the movie, What Dream
May Come---that as long as those of us on earth still remember a deceased loved one that person is in a place that matches his or her personal vision of heaven. In the above mentioned book, those remembered dead people all live in a special town that disappears after a pandemic here on earth.
Everywhere you go, people might be walking and talking like they’ve got it all together, but underneath half of them are struggling to make sense of a personal tragedy. Been there, done that, and wish I could have helped the professor but I don’t do scripture. I thought about faking it by throwing out a passage from Psalm’s about casting your cares to the Lord and He will sustain you---but I’d spent enough time, this week, being a big, fat phony. I wasn’t going to do it while paying someone for their time to teach me how to draw in Prismacolor. Instead, I gave him a little Nancy Berns' wisdom about learning how to carry our grief and joy side by side and not pretend we can get "over it" when no one ever really gets over it. The freshest of a loss, yes, we get over that and in time we adjust our lives to let the joy back in again but the loss itself is forever a part of our persona---at least according to the Gospel of Nancy Berns, Sociologist Extraordinaire.
After class I swung by the cemetery to visit Don for Memorial Day where an older couple was having a heated little argument over how to decorate a grave. I wanted to shout: "What does it matter? These people are all dead and you two still have time left to enjoy your lives! And whatever you do, the sexton will remove it in 10 days anyway. Didn't you read the rules at the gate?" But I didn't say all that because sometimes being a big, fat phony keeps you from sticking your nose in where it doesn't belong. ©
Everywhere you go, people might be walking and talking like they’ve got it all together, but underneath half of them are struggling to make sense of a personal tragedy. Been there, done that, and wish I could have helped the professor but I don’t do scripture. I thought about faking it by throwing out a passage from Psalm’s about casting your cares to the Lord and He will sustain you---but I’d spent enough time, this week, being a big, fat phony. I wasn’t going to do it while paying someone for their time to teach me how to draw in Prismacolor. Instead, I gave him a little Nancy Berns' wisdom about learning how to carry our grief and joy side by side and not pretend we can get "over it" when no one ever really gets over it. The freshest of a loss, yes, we get over that and in time we adjust our lives to let the joy back in again but the loss itself is forever a part of our persona---at least according to the Gospel of Nancy Berns, Sociologist Extraordinaire.
After class I swung by the cemetery to visit Don for Memorial Day where an older couple was having a heated little argument over how to decorate a grave. I wanted to shout: "What does it matter? These people are all dead and you two still have time left to enjoy your lives! And whatever you do, the sexton will remove it in 10 days anyway. Didn't you read the rules at the gate?" But I didn't say all that because sometimes being a big, fat phony keeps you from sticking your nose in where it doesn't belong. ©
